Democracy Gone Astray

Democracy, being a human construct, needs to be thought of as directionality rather than an object. As such, to understand it requires not so much a description of existing structures and/or other related phenomena but a declaration of intentionality.
This blog aims at creating labeled lists of published infringements of such intentionality, of points in time where democracy strays from its intended directionality. In addition to outright infringements, this blog also collects important contemporary information and/or discussions that impact our socio-political landscape.

All the posts here were published in the electronic media – main-stream as well as fringe, and maintain links to the original texts.

[NOTE: Due to changes I haven't caught on time in the blogging software, all of the 'Original Article' links were nullified between September 11, 2012 and December 11, 2012. My apologies.]

Saturday, December 10, 2011

America’s war on blogs

Hip hop, being a genre born of copyright infringement, has always had a less tortured relationship with intellectual property than the rest of the music industry. Piracy and commerce coexist peacefully. The release of free street tapes and deliberately leaked singles are common teasers for an upcoming album. These “grey market” tactics have been absorbed by the rap hype machine to the point where they’re just another part of the product supply chain. It’s not some hippyish “free culture” thing either, but an effective form of marketing. In the lucrative world of hip hop, piracy is all about the Benjamins.

Try telling that to the Department of Homeland Security. “Their Immigration and Customs Enforcement wing started seizing” dozens of domains a year ago, wiping entire websites from the Internet based on ongoing (and unproven) copyright violation investigations (I wish I could explain to you what copyright has to do with Homeland Security, but I cannot).

Among these sites was DaJaz1.com, a popular hip hop blog that worked directly with record labels to post sneak peeks of new material. Copyright holders would routinely plant their wares on the site, eager for the advance exposure. Nevertheless, the site disappeared one year ago, replaced with the following terrifying screen:



What happened next is astonishing. Mike Masnick at TechDirt has the full story of how the government stonewalled every effort DaJaz1′s lawyer made to obtain a fair process. A secret investigation took place, and as it dragged on the site owners were provided no opportunity to defend themselves.

On Thursday, DHS returned the domain back to DaJaz1′s owners–but without explanation or apology. It’s worth remembering here that the site was far more than a place to listen to hip hop music. It was a blog, with editorial content. And for the past year it has effectively been censored by the U.S. government under the guise of copyright enforcement.

This comes the same week that a U.S. federal judge ruled that a blogger is not a journalist.

Consider also the case of Wikileaks, a website dedicated to the disclosure of newsworthy documents. Neither Wikileaks nor its editor have been convicted of any crime, and yet pressure from the U.S. government led PayPal to freeze the site’s income stream.

Imagine a similar scenario with a newspaper, and you start to get the picture. To put it plainly, U.S. authorities are developing a different set of free speech standards when it comes to online speech.

Origin
Source: Maclean's 

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